{"created":"2023-05-15T12:12:19.508395+00:00","id":830,"links":{},"metadata":{"_buckets":{"deposit":"27164ced-7f5b-4b76-adb8-047dc523989d"},"_deposit":{"created_by":16,"id":"830","owners":[16],"pid":{"revision_id":0,"type":"depid","value":"830"},"status":"published"},"_oai":{"id":"oai:konan-wu.repo.nii.ac.jp:00000830","sets":["391:7","391:7:310"]},"author_link":["1326","1325"],"item_10001_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2005-03-18","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"41","bibliographicPageEnd":"30","bibliographicPageStart":"17","bibliographic_titles":[{"bibliographic_title":"甲南女子大学研究紀要. 文学・文化編"},{"bibliographic_title":"Studies in Literature and Culture","bibliographic_titleLang":"en"}]}]},"item_10001_description_12":{"attribute_name":"論文ID（NAID）","attribute_value_mlt":[{"subitem_description":"110004627935","subitem_description_type":"Other"}]},"item_10001_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"『悪の華』初版から削除された「禁断詩篇」を手掛かりに,最初に,『悪の華』の前身として顔を出しながら未刊に終わった二つの詩集『レスボスの女たち』(1845)と『冥府』(1848)の中核と見做される詩を吟味する。そして,ボードレールが彼の文明史観に基づいて美術批評でいち早く提起した「現代性」の美学を明らかにする。さらに,『冥府』の方が,キリスト教という狭い枠内で解釈されがちなロココ風な題の『悪の華』よりも内容に相応しいことを説明する。次に『悪の華』初版(1857)と第2版(決定版)(1861)を比較する。『レスボスの女たち』の出版予告から『悪の華』第2版が出されるまでには16年の歳月を要した。この期間は近代社会へと変貌する時期である。それ故第2版は近代社会を特徴づける多くの要素を含むものとなり,この詩集を色々な角度から読むことができるのである。","subitem_description_type":"Abstract"}]},"item_10001_description_6":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"Starting with some prohibited and expureated poems of the first edition of Lex Fleurs du Mal (1857), first, we investigate some poems presumed to be an essential part of the two previous collections of poems,Les Lesbiennes (1845) and Les Limbes (1848), which were not completed or published. This investigation will make clear Baudelaire's theory of esthetics, \"modernity\", which, as an art critic, he was quick to bring forward based on his view of civilization. It will also reveal that the title Les Limbes represents much better the subject of Les Fleurs du Mal, the rococo title of which is apt to be interpreted within the narrow framework of Christianity. Secondly, we compare the first edition with the second (definitive) edition (1861). It took Baudelaire sixteen years to publish the latter after he notified the public of his forthcoming collection of poems Les Lesbiennes. These years were the revolutionary and formative period of modem society. Therefore, the second edition includes many elements which characterize our modem society. That is why we can interpret this collection of poems from various viewpoints.","subitem_description_type":"Other"}]},"item_10001_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"1326","nameIdentifierScheme":"WEKO"}],"names":[{"name":"NAKAHORI, Hirokazu"}]}]},"item_10001_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"甲南女子大学"}]},"item_10001_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA11639907","subitem_source_identifier_type":"NCID"}]},"item_10001_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"1347121X","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"中堀, 浩和"}],"nameIdentifiers":[{"nameIdentifier":"1325","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2012-10-31"}],"displaytype":"detail","filename":"041-03.pdf","filesize":[{"value":"2.2 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"041-03","url":"https://konan-wu.repo.nii.ac.jp/record/830/files/041-03.pdf"},"version_id":"eae66fcd-be51-42f6-824c-2dac1e053b2b"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"journal article","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"『悪の華』の成立過程から見えてくるメッセージ","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"『悪の華』の成立過程から見えてくるメッセージ"},{"subitem_title":"One Message Which Emerges from the Process of Formatoin of Les Fleurs du Mal","subitem_title_language":"en"}]},"item_type_id":"10001","owner":"16","path":["7","310"],"pubdate":{"attribute_name":"公開日","attribute_value":"2012-10-31"},"publish_date":"2012-10-31","publish_status":"0","recid":"830","relation_version_is_last":true,"title":["『悪の華』の成立過程から見えてくるメッセージ"],"weko_creator_id":"16","weko_shared_id":-1},"updated":"2023-12-19T06:16:22.691428+00:00"}