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アイテム
エミリィ・ディキンスン : "With just the Door ajar"
https://konan-wu.repo.nii.ac.jp/records/844
https://konan-wu.repo.nii.ac.jp/records/84436b8ad3a-a36c-40cd-8a9d-7dca47262011
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
042-04 (993.5 kB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2012-11-01 | |||||
| タイトル | ||||||
| タイトル | エミリィ・ディキンスン : "With just the Door ajar" | |||||
| タイトル | ||||||
| タイトル | Emily Dickinson : "With Just the Door ajar" | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | journal article | |||||
| 著者 |
梶本, 正美
× 梶本, 正美 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 1351 | |||||
| 姓名 | KAJIMOTO, Masami | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In Emily Dickinson's poetry the door motif is a favorite and elastic one. Through this door Dickinson tries to explore the relationship between man and the other world, whether it is nature or Heaven, with her keen sensitivity. So this door can be thought of as the door of perception. Charles Anderson talked about the "intensities" with which "she was bold to try to capture". As she says in "To tell the Beauty would decrease" (P-1700), it is impossible to express the object as it is in words. It is through her perception that she can create her own new world. In "I cannot live with You-" (P-640), with just the door ajar, despair becomes the "White Sustenance". In "Further in Summer than the Birds" (P-1068), nature's meaning is hidden from the poet, and the most she can know is the sense of loss. At the end of the poem, she feels "Druidic Difference". She doesn't define what this difference is, but it intensifies the meaning of nature up to a new level. "There's a certain Slant of light," (P-258) is an attempt to catch the fleeting moment which leaves the beholder changed. By her creative power, Dickinson can recreate even "the Object Absolute" as she says on P-1071. Many of Dickinson's poems end with irresolution. Considering her perception, I think the feature of irresolution is not only her unavoidable way of writing poetry, but shows her integrity as a poet and expands the possibility of her poetry. | |||||
| 書誌情報 |
甲南女子大学研究紀要. 文学・文化編 en : Studies in Literature and Culture 号 42, p. 43-51, 発行日 2006-03-18 |
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| 出版者 | ||||||
| 出版者 | 甲南女子大学 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 1347121X | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA11639907 | |||||
| 論文ID（NAID） | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 110004868189 | |||||
