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大坂画壇の展開と狩野派 : 森狙仙筆 墨馬図をめぐって
https://konan-wu.repo.nii.ac.jp/records/826
https://konan-wu.repo.nii.ac.jp/records/826f183fcb7-2348-49a9-bd6f-f4427c32d986
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
040-16 (2.7 MB)
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| Item type | Journal Article(1) | |||||||
|---|---|---|---|---|---|---|---|---|
| 公開日 | 2024-05-27 | |||||||
| タイトル | ||||||||
| タイトル | 大坂画壇の展開と狩野派 : 森狙仙筆 墨馬図をめぐって | |||||||
| タイトル | ||||||||
| タイトル | The Development of Osaka Painting Circles and the Kano School : Looking at Mori Susen and his Monochrome Horse Paintings | |||||||
| 言語 | en | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | journal article | |||||||
| 作成者 |
木村, 重圭
× 木村, 重圭
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| 内容記述 | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | 110004680871 | |||||||
| 内容記述 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | Painting circles in Osaka were formed gradually in the early 18th century. They were developed by Tachibana Morikuni. Ooka Shunboku and Yoshimura Shuuzan, etc., who studied under the Kano school. Their teacher was Tsurusawa Tanzan, who studied under Kano Tan'yu in Edo and became active in Kyoto. Some painters who had been well trained under Tanzan brought up their pupils in Osaka and introduced a wide development into the schools of Tachibana, Ooka, Yoshimura and Mori. On the other hand, following the example of Sesshuu, Mori Sosen produced monochrome horses in ink, in his case on screens. In this paper, I examine the development of these schools in Osaka and the characteristic subjects of their paintings. | |||||||
| ISSN | ||||||||
| 収録物識別子タイプ | NCID | |||||||
| 収録物識別子 | AA11639907 | |||||||
| ISSN | ||||||||
| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 1347121X | |||||||
| 書誌情報 |
発行日 2004-03-18 甲南女子大学研究紀要. 文学・文化編 en : Konan Women's University researches of literature and culture volume 号 40 p. A65 p. A76 |
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| 言語 | ||||||||
| 言語 | jpn | |||||||
